: Kemp envisioned the song as a love story set against the backdrop of religious and political division.
: The arrangement begins as a gentle acoustic ballad and gradually builds into a powerful arena-rock crescendo. : Kemp envisioned the song as a love
: The title refers to the physical peace lines Kemp saw in Belfast that separated Catholic and Protestant neighborhoods. Instrumental Characteristics : Kemp envisioned the song as a love
: Listeners can more clearly appreciate Steve Norman’s soulful saxophone lines and the rhythmic interplay between Martin Kemp (bass) and John Keeble (drums). : Kemp envisioned the song as a love
In the absence of Tony Hadley’s soaring vocals—which even Kemp admitted was Hadley’s best performance—the instrumental version emphasizes the song's "cinematic" structure.
: Kemp envisioned the song as a love story set against the backdrop of religious and political division.
: The arrangement begins as a gentle acoustic ballad and gradually builds into a powerful arena-rock crescendo.
: The title refers to the physical peace lines Kemp saw in Belfast that separated Catholic and Protestant neighborhoods. Instrumental Characteristics
: Listeners can more clearly appreciate Steve Norman’s soulful saxophone lines and the rhythmic interplay between Martin Kemp (bass) and John Keeble (drums).
In the absence of Tony Hadley’s soaring vocals—which even Kemp admitted was Hadley’s best performance—the instrumental version emphasizes the song's "cinematic" structure.
